Morgan Evans

Month

May 2012

50 posts

Who is your favorite person to work with and why?

Oh I don’t know there’s a bunch of people. I’d say props to Neil Casey for making everything I write better. 

May 31, 20121 note
May 31, 20122 notes
#writing
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May 30, 20124 notes
#pop quiz #comedy #videos #lol
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May 29, 20126 notes
May 28, 20122 notes
May 28, 20122 notes
#huffpo #twitter #comedy
What is the secret to life?

Interest

May 28, 20123 notes
Do you use a boom pole for sound or do you hide a mini clip-on mic somewhere? How do you get such good sound in your video series?

A mix of both, and thank you! “Emma” was primarily lavs because we’re so far away from camera, but stuff like episode 5 was all boomed. Our sound guys were like drummers and we ended up using a lot of them but they were all great dudes. Max Futterman, Dave Bluvband, Matt Cook and Spencer Moore. 

May 28, 20121 note
May 27, 201211 notes
May 27, 2012330 notes
#Cannes 2012 #FIlm
“The music sounds less like a score by Danny Elfman than like a score by Danny Elfman’s smartphone app, and it carries dreadful intimations of forced fun.” —A.O. Scott Mad At Everyone
May 27, 20121 note
#men in black
“Laughter itself is more often than not a vital abreaction to the disgust we feel for the monstrous mixing and promiscuity that confront us. But for all that we may gag on the absence of differentiation, it still fascinates us. We love to mix everything up, even if it simultaneously repels us. The reaction whereby the organism seeks to preserve it’s symbolic integrity is a vital one, even if the price paid is life itself (as in the rejection of a transplanted heart). Why would bodies not resist the arbitrary swapping of organs and cells? Also: why do cells, in cancer, refuse to carry out their assigned functions?” —Jean Baudrillard The Transparency of Evil: Essays on Extreme Phenomenon (via comedyisntfunny)
May 25, 20126 notes
Would you date me?

5/12/1956

May 25, 20123 notes
How do you manage your crew on your shoots? Are they friends? If they aren't available doesn't that impact your productivity? How do you deal with that?

It always varies, and I work with a lot of different people. I’d say our camera crew is generally provided by/recommended by whichever DP I have and I always just trust them to make the right decisions crew-wise. So far Joe Spit, TJ Misny, Jack Turits, and Jon Mahoney have not served me wrong. The only thing that kind of grates me, and this happens rarely, is when someone gives an actor a “suggestion” (see: direction) without clearing that (see: whispering in my ear) first. I just want everything to be as easy as possible for the actors and don’t really find a lot of voices on set to be in step with that philosophy. I, of course, want to hear everyone’s ideas, I just don’t like them to jump in when decisions about performance lie with me ultimately. I find things usually work better if someone comes up to me and says “Morgan, wouldn’t it be cool if…” in private, instead of telling the person in front of the camera this. It’s unprofessional. That being said, this is really only for stuff like my shorts or series’ (~~**sErIouS**~~ stuff). When it’s sketch or funtimes USA it’s a different story and everything’s really loose. If my crew isn’t available it doesn’t really impact my productivity because I consider lots of things to be productive outside of shooting. It just stalls production a bit, but that’s fine. I’d rather wait for someone awesome than get someone shitty so we could shoot this Tuesday for example. I’d rather wait until Friday with a coooool dude or whatever. I think a lot of people on my crew are friends and it is definitely not a problem at all. They’re pros. 

With the series we had like 12 different directors, and a lot of them hadn’t directed stuff before, so It was important to me that the crew would just kind of do whatever they said instead of like “suggesting” things because I didn’t want first-time directors to think like “oh yeah, that’s a better idea” and lose their own because someone more experienced said something. I hope that worked and I hope my directors feel like their episodes are “in their voice” but I think the fact that we shot 15 episodes in 12 days kind of forced us to give them less time to do their episodes than they would have liked (in a few cases). That being said, I am happy with every single episode. None of the directors have complained to me directly so I’m going to assume everyone is jazzed. 

Also, I try not to let anyone get into arguments about “Tree of Life” but it seems to keep happening.   

May 25, 20121 note
May 24, 20122 notes
What did you want to be when your were young? What would you do if you weren't doing what you're doing now? A researcher at a pharmaceutical? A teacher?

When I was younger I wanted to be an actor. If I wasn’t doing whatever it is I am doing now I would probably be punching the holes in DVD/BluRays. 

May 24, 20121 note
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May 24, 2012358 notes
Do you have a sunburn, or are you always this hot?

I run at 98.5º consistently. 

May 24, 2012
Your parents must be super attractive because you and Pj are two sexy mother fuckers. I saw in one of tanners flip cam videos some footage of you shooting with them all out in the desert and some guy in a helmet had a staple gun to caseys head, is that video viewable on the internet?

It is. It’s also a skate video. http://www.youtube.com/watch?v=Nea8nVuA2F4 

May 24, 20121 note
Curious. What kind of ladies are you into?

Dead ones. Katherine Hepburn, Paulette Goddard, etc. 

May 23, 20121 note
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